CHICAGO, IL — Misha Davenport wrote: “I’m not entirely sure why, but the work of late composer Marvin Hamlisch initially seemed like an odd choice for Theo Ubique’s popular “Songbook” series. Previous entries have featured Cole Porter and the Andrew Sisters, but an evening dedicated to a composer known primarily for his toe‐tapping, auto‐biographically ballads? Crazy talk!
And, as it turns out, as conceived by Courtney Crouse and Aaron Benham (who also serve as director and musical arranger, respectively), Theo Ubique Cabaret Theatre’s “A Marvin Hamlisch Songbook” running through July 12 at No Exit Café is crazy good!
Hamlisch had Broadway hits and flops ( “Sweet Smell of Success” and “Smile” did not fare well on Broadway but you don’t get any bigger than “A Chorus Line.” It’s a show that won Hamlisch both a Tony and a Pulitzer. Along with Richard Rodgers, Hamlisch is the only composer to have won a Pulitzer, Emmy, Grammy, Oscar and Tony (even more coveted than the EGOT is the PEGOT, because it is even more rare).
So, in hindsight, an evening celebrating Hamlisch is perhaps overdue. And fortunately, the young and good looking company of singers that Crouse and Benham have assembled are up to the challenge and put forth a passion‐filled evening that celebrates the highs and lows of love, romance and the theater.
The first act actually ends with Hamlisch’s first hit, 1965’s “Sunshine, Lollipops, and Rainbows,” which Lesley Gore took to #13 on the Billboard Hot 100. Sung by the entire cast, it features the hallmark of a Hamlisch song: hummable, infectious melodies.
Though the six member cast is equally talented, there is one notable stand‐out: Caleb Baze. I can’t recall if I’ve ever heard “If You Remember Me” (from the film “The Champ”) before, but it is unlikely that I will every forget it after hearing Baze’s haunting delivery of the song.
He manages to top himself in the second act with “I Cannot Hear the City” (from “Sweet Smell of Success.”) So captivating was his performance, even the nearby Morse L station trains seemed to fall silent in awe.
LISTEN TO: “IF YOU REMEMBER ME” — This Rendition by the British Singer Andy Playfoot:
Sarah Larson deserves a shout for her performance of “Disneyland” (from “Smile”). The song is always a great character piece in the hands of the right actress and Larson proves she is up to the task.
Stephanie Hansen has the thankless task of taking on the Liza number (“The Travelin’ Life” for Minnelli’s album “Maybe This Time”). She puts her own unique, bluesy spin on the number
Listen to Liza’s “The Travelin’ Life”
Garrett Lutz makes the most of his moment as a sleazy Hollywood producer/director in “Do YouWanna Be In My Movie.” (From The Musical “The Goodbye Girl.”) We also see a tender, more playful side in the second act duet “When You’re in My Arms” (from “They’re Playing Our Song”, opposite Hansen).
Tall and lanky (not unlike Hamlisch), Patrick Byrnes fills in for the composer as such in the opening number, “They’re Playing Our Song” and he is joined by the rest of the company. He is exceptionally effective in the buddy duet with Baze “The Only Way to Go” (1991, TV Special for George Burns.)
Of course, the material from “A Chorus Line” proves to be the most challenging. It is so well‐known, it is hard to find some new inroad into the material that hasn’t been done before. Crouse and Benham’s solution is to ease us into the all‐to‐familiar territory with “A Beat Behind” from “The Goodbye Girl.” Sarah Wasserman plays an aging, chain‐smoking dancer trying (and failing) to keep up with the pretty young things. Wasserman displays some great comic talent and the piece is capped off with a few bars of “One” that Wasserman bitterly delivers towards her rivals that turns the celebratory song on its head. It’s the kind of smart theater that sets Theo Ubique’s revues apart from the crowd.
SOURCE: Review by Misha Davenport at BroadwayWorld.com -
VIDEO: THE INSPIRING MUSIC OF MARVIN HAMLISCH: